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Below the surface of Shantell Martin’s signature black and white drawings is an artists’ inquiry into the role of artist and viewer, where a work of art is more than an object of admiration disconnected from its inception. With a meditative process defined by an uninhibited flow, her compositions embody her internal state and the impermanence of the world around her. Exploring themes such as intersectionality, identity and play, Martin is a cultural facilitator, forging new connections between fine art, education, design, philosophy and technology.

 

In addition to prestigious solo shows at some of the most renown art institutions including the 92Y Gallery in New York City, the iconic Albright Knox Gallery and the MoCADA Museum, Martin has carved a path for herself that is as much intellectual as a visual artist. During her two year tenure as an MIT Media Lab Visiting Scholar, Martin collaborated with the social computing group  to use drawing as a medium to explore the interaction of social processes with physical spaces.

At the Brown Institute for Media Innovation, Martin created a large scale wall installation and worked with the Institute’s research group to explore how visual and computerized storytelling might influence media and technology innovation.

 

A fashion and design icon in her own right, Martin has collaborated with iconic brands such as Nike, Vitra, Max Mara, Tiffany & Co., and in 2018, Puma launched a global capsule collection featuring her drawings. Martin has collaborated with legendary artists such as Pulitzer Prize winning performance artist Kendrick Lamar and acclaimed designer Kelly Wearstler. In late 2018, she was asked to collaborate with the prestigious New York City Ballet, where she created large scale drawings in the performance hall and foyer of the Lincoln Center for the company’s celebrated Art Series. She continues to teach as an adjunct professor at NYU Tisch ITP (Interactive Telecommunications Program), where she works with her students to push the boundaries of storytelling, visual art and technology.

 

ORIGINAL ART

The relationship between an artist and collector should be just that... a relationship. If you are interested in purchasing original artworks, Shantell would like to get to know YOU a little better through a series of questions that will ensure the work she creates goes to great people that will love and value it. 

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Credits

Branding & Design by Anton & Irene with love

Borderless  Lullabies

July
2019

Shantell Martin is honored to have created the album cover for Borderless Lullabies — a compilation of twenty songs and spoken-word pieces, with 100% of the proceeds benefiting KIND: Kids In Need of Defense, a wonderful nonprofit that partners with pro-bono attorneys at law firms and law schools to represent unaccompanied immigrant and refugee children in their deportation proceedings, ensuring that no child stands in court alone. Most of the kids KIND serves have fled severe violence in their home countries, and many have been abandoned, abused, or trafficked, only to find new traumas in wait when they arrive in the alleged land of freedom and possibility in search of safety.

Original music and readings on the record include, Yo-Yo Ma, Esperanza Spalding, Lizz Wright, Somi, Jacqueline Woodson with Chris Bruce, Cellogram with Arian Saleh, Elio Villafranca, Travis Knapp, Alejandro Urias, Jamia Wilson with Travis Sullivan, Chris Connelly, and Morley, the creator and producer behind Borderless Lullabies, herself. Also included are recordings of previously released music by Draco Rosa, Martha Redbone, Rosanne Cash, Tendor Dorjee, Leni Stern, Karavika, Taína Asili, and Meryl Streep (who sings the Victorian lullaby her mother used to sing to her), generously donated to the project by the artists.

Borderless Lullabies is available on a pay-what-you-can model — from the at-cost minimum of $18 to anything more you feel this labor of love is worth, to you and the world.

 

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