Shantell Martin’s work goes beyond art, it’s an immersive journey into storytelling, identity, and space transformation. With a rich background in collaborations, commissions, institutional projects, and museum shows, Shantell has been on a journey of mastering her line and the art of creating pieces that not only capture attention but also provoke thought and emotion. Her distinctive style, rooted in self-exploration and social consciousness, offers more than a visual tapestry.
In 2025, Shantell was awarded an MBE (Member of the Order of the British Empire) for her contributions to British arts and charity. Her ability to see the bigger picture and address systemic challenges through her work uniquely equips her to tackle complex, meaningful projects. She is committed to pushing boundaries and creating a lasting impact.
Shantell Martin has collaborated with an inspiring array of corporate clients, cultural institutions, and world-renowned brands. Her work spans diverse industries, consistently breaking new ground through impactful, visually captivating projects.
Museum Shows/Installations
Whitney Museum, Denver Art Museum, New Britain Museum of American Art, Museum of Contemporary African Diasporan Arts, MoMA, Albright-Knox Art Museum, Brooklyn Museum.
Boards
British Ambassador’s Strategic Advisory Group, Governors Island Arts Advisory Board, Climate Museum Advisory Board, UAL Ambassador Board.
Institutions & Non-Profit Collaborations
92nd Street Y, Trust of Governors Island, New York City Ballet, Boston Ballet, Los Angeles Ballet, Art Production Fund, Keep a Child Alive, (RED), Public Art Fund, Nine Dot Arts, Global Citizen, AmFAR.
Brand Collaborations
Rimowa, Mattel/UNO, B&B Italia, Tiffany & Co., Flos, Kelly Wearstler, Vitra, The North Face, Jose Cuervo/1800, Max Mara, Kendrick Lamar, American Express, Martone Cycling Co., WME IMG/New York Fashion Week, Interview Magazine, Saks Fifth Avenue, Canada Goose, United Arrows & Sons, KCA Black Ball, Golden Vines Awards, United Airlines.
Commissions
Rockefeller Center, Times Square Alliance, Art Production Fund, Sotheby’s, Fotografiska, Google, Airbnb, Facebook, Young & Rubicam, Mother New York, Adobe, Phillips Auction House, Christie’s, W Hotel Union Square.
At the core of art lies a special bond - a genuine relationship between the artist and the collector.
If you're drawn to the idea of owning an original piece by Shantell Martin, we invite you to explore our Shop. For those interested in a more personalized touch through commissioning, please send us an email.
Credits
Branding & Design by Anton & Irene with love
DANCE EVERYDAY
2017
The first step towards the rebirth for one of Buffalo's historically neglected neighborhoods the East Side's Northland Corridor, Shantell Martin's drawing "Dance Every Day" is a signal of things to come for the long-struggling community. Much of the plant will be demolished as part of a $42 million Buffalo Billion-funded revamp of the Northland Corridor into a hub for light industry and commerce that is being run by the Buffalo Urban Development Corporation. The work is the product of a collaboration between the Albright-Knox Art Gallery's public art program and the University at Buffalo's fledgling Creative Arts Initiative.
"Dance Every Day", Martin's largest ever public art piece, was completed over a weekend in June. In that time, she worked with Buffalo artist Scott Bye and used several cans of spray-paint to transform the whitewashed wall into what many are seeing as a joyful reflection of a neighborhood creaking slowly back to life.
"What I do is playful. I feel like a big kid. What I do, I love it, and I enjoy it," she said. "And even if I come in in a bad mood, like 10 minutes later, I'm in a really great mood because I'm doing something I love. And I think people should do more of that."
Read more here.
