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Autobiographical and dreamlike, Martin bridges the fine art and commercial world, as well as the objects, places and conversations of the everyday experience.
NBMAA

NEW/NOW MUSEUM RETROSPECTIVE

NEW/NOW was the most extensive installation of the artist’s work to date spanning over 20 years of oeuvre, from studies in London to the present.

Hartford
2020

The New Britain Museum of American Art (NBMAA) presented a solo exhibition featuring Shantell Martin's work which was on view from October 22, 2020-April 18, 2021. This exhibition was a part of NBMAA’s NEW/NOW series devoted to emerging and established contemporary artists, this exhibition represented Martin’s first museum career retrospective.

 

Featuring nearly two decades of work created in London, Japan, New York, and across the United States, NEW/NOW: Shantell Martin explored the evolution of Martin’s artistic style and technique while highlighting key aspects of her output, including art, performance, commerce, and technology, and their myriad cross-sections. Her large-scale site-specific mural entitled Transparency (2020) was created on the occasion of her exhibition at the NBMAA, and reflects the artist’s response to both the space and time in which it was made.   

 

Martin’s devotion to drawing was evident in every aspect of the show. Offering unique insights into her creative process are a selection of early sketchbooks and various drawing implements. These underscore the degree to which drawing has long served as the foundation and springboard for her creative processes. Drawings dating from 2008 to today showcased the development of Martin’s technique, from highly-detailed compositions created with 0.05mm graphic drawing pens, to looser and more expansive images rendered with markers that characterize her recent work. As her drawing tools and techniques have evolved over time, so too have the motifs, words, and cast of characters that appear, reflecting her ongoing exploration of the self. Documentation of Martin’s artistic processes are captured in photographic series by Jon Paciaroni and Theo Coulombe. The artist’s drawn works culminated in a 40x16 foot site-specific mural entitled Transparency (2020), that she created as a live-drawing for her exhibition at the NBMAA. 

Martin’s collaborative pursuits are represented in numerous works that reveal her engagement with technology, commerce, and her own personal history. Among the earliest work in the exhibition, Martin’s Dear Grandmother comprises an installation of nearly 100 embroidered images and texts that she created in collaboration with her grandmother Dot Martin over the course of 13 years (2002-15). These pieces, which include phrases such as ‘Come Home/Go Home’ and ‘British/English,’ serve to bridge the distance between the two women and communicate across generation, race, and culture in a way that is playful, sincere, and productive.

 

Martin’s interest in technology is evident in a group of 3D printed drawing tools that she created as part of her 2016 residency at Autodesk’s Pier 9 Workshop in San Francisco; as well as a series of circuit boards that she designed in collaboration with programmer Jonathan Bobrow during her residency at MIT Media Lab in Cambridge, MA—each of which features imagery that reveals its functionality. 

 

Examples of Martin’s partnerships with prestigious apparel or design companies were widely represented in the show. These included her limited-edition sunglasses created with Italian fashion brand Max Mara  as part of their 2017 “Prism in Motion” collection; as well as a custom helmet designed for Vespa. Martin’s spontaneous drawings adorn shoes and apparel created for Puma in 2018. Produced especially for her NBMAA NEW/NOW exhibition was a couch, loveseat, and ottoman by French furniture company Ligne Roset, upholstered in textiles that Martin created in collaboration with Momentum Design Studio in 2017.

 

These works and more demonstrate Martin’s incredibly prolific output and her remarkably innovative and groundbreaking approach to art, object, and idea-making. - Text courtesy of NBMAA.

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