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Martin's work is a meditation of lines; a language of characters, creatures and messages that invites viewers to share a role in the creative process.
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Autobiographical and dreamlike, Martin bridges the fine art and commercial world, as well as the objects, places and conversations of the everyday experience.
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From early beginnings with live performance drawing in the mega clubs of Tokyo, to her trademark continuous line, Martin's diverse work navigates many worlds.
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x DOT MARTIN
2003
Martin’s “Dear Grandmother” collaboration was born over a decade ago when Martin commissioned her grandmother, Dot Martin, to embroider her “Half White” series as a reflection on racial identity. Since then, the pair have worked on over 70 pieces together, with Dot adding her own touches of color or language along the way. Martin sees the pieces as symbolically bridging gaps of distance, generation, race and culture, creating an inclusive backdrop for artistic creation.
With phrases like “Come Home” / “Go Home”, “British” / “English,” the pieces are both challenging yet comforting, and playful yet ironic. With Dot Martin passing away in October of 2015 at the fine age of 80-Something (Dot never did tell anyone her actual age), Shantell felt extremely grateful that she was able to find such a fun and creative way to collaborate with her Grandmother before her passing and that the work they collaborated on was exhibited in the Brooklyn Museum.
